Seneca looked over the shoulder of her young apprentice. Callista was
using some scrap metal to practice etching designs. A hobby Seneca
had never pursued herself.
Callista had definite preferences
in her designs. They seemed rather Nornish to Seneca. A series of
interlaced knots with no beginning or end. The one she was working on
at the moment was almost a basket weave, with gentle loops connecting
the strands seamlessly together.
When she asked about them,
Callista admitted they were inspired by Norn tattoos.
What she
loved about them was the symbolism she found in them. Their endless
flow.
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